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John Divola
these works are joined by a breathtaking care and innovation of execution on the one hand and an intuitive
reawakening something of the artist’s own adolescent self
His large-format black-and-white photography recalls iconic photographer-cartographers of the nineteenth century while calling into question the taxonomic certainty and implicit politics of their surveying projects
His major group exhibitions include “New Japanese Photography” (New York MoMA
Minari Screenplay Book Zackary Drucker John DivolaThe dual language Minari Screenplay Book includes Lee Isaac Chung's never before published alternate ending, a foreword by Steven Yeun, an original essay by Ocean Vuong, a poem by Claude Wilkinson, and annotated photographs from Chungs own child hood family albums.
