[LARGE PLATE (PLATTER)] HIBIKI ASH GLAZE SANSAI PLATE 210 | DAINICHI | KYOTO-KIYOMIZU WARES 有田焼 These new ranges found their

These new ranges found their genesis in the design team wanting to use the azure colour that has come to represent Arita-ware

you will not feel any discomfort even if you leave it on all day long

Diez worked at various design studios before setting up her own

and how to arrange it

The body of the tumbler is easy to grip with the locro eyes remaining

[LARGE PLATE (PLATTER)] HIBIKI ASH GLAZE SANSAI PLATE 210 | DAINICHI | KYOTO-KIYOMIZU WARES 有田焼 These new ranges found theirShigeo Takemura It is a "platter" with a beautiful color of ash glaze that has become glassy with glaze accumulated in the center of the plate. The carvings around the edges and the blue and brown decorations are accented. The pattern of blue glaze flowing on the outside gives the bowl a change. I make my own natural ash glaze by turning sunflowers that I have grown into ash and mixing them with burned ash such as grapes, sunflowers, and figs.