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who released Happy In The Hollow
and were still somewhat tentative
‰ÛÏA studio should keep changing and all of the gear should be out and exposed or else you'll never remember toåÊuse it
Marzette Watts: engineer
the proto-garage rhythmic fury of The Monks and the grooves of Os Mutantes
Cotton Jones - Paranoid Cocoon domino who released Happy In TheAt its debut, Michael Nau noted the presence (and absence) of times influence on Paranoid Cocoon. He noted "there's no intentional theme behind these songs. Cocoon didn't span a lengthy duration of time, so head space and moods tended to remain thread like throughout. I believe there's a familiar mood from start to finish the lyrics work like visuals of such moods. The 10 year anniversary reissue of Paranoid Cocoon celebrates this mood, which remains
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