Murder Jungjin Lee Homma photographs the effects –

Homma photographs the effects – the red vestiges of wild life in the snow

and with each series he challenges the audience's trust in the veracity of the medium and its function as a system of representation

fragmentary prose

between Europe and Asia

a man dutifully cleans a white picket fence – a vision that belies a local mural of a distant

Murder Jungjin Lee Homma photographs the effects –The genesis of Guillaume Simoneaus new book, Murder, is in spring 1982. At around the same time Masahisa Fukase was producing his post war masterpiece Karasu (Ravens), Simoneaus family adopted a nest full of baby crows orphaned from a fallen tree. The photographs from this time, taken by Simoneaus mother, paint an unusual and lyrical vision of childhood. Nearly forty years later, these moments are memorialised in dialogue with Simoneaus new works,