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Cigarette smoke and still-glowing ashes in overflowing ashtrays swallow up any trace of noise
Sammy Cahn, the writer of such Great American Songbook standards like Come Fly with Me, Let it Snow and I Fall in Love Too Easily, put it this way: [the chorus] is both an outcome of the verses and a summation of the song. Sheila Davis, author of the classic songwriting manual, The Craft of Lyric Writing, wrote similarly, a chorus embodies both the musical peak and the lyrical point of the song
I waited and waited now look, theres hardly anything left of you. Ill kiss you till you lie there next to me quiet and I can read
He picked up bits and pieces of music that he heard at home: the Beatles songs his mother loved, the Mexican ballads his father preferred, and a wistful instrumental composition by the Argentinean guitarist Gustavo Santaolalla, which teen-agers everywhere know as the musical theme of the video game The Last of Us
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