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As David Denby commented recently in The New Yorker , in the second decade of the twenty-first century, serious drama is no longer the interest of Hollywood studios, which prefer the $150 million blockbuster to small and medium-sized winners. Thanks to contributions from HBO and other like-minded networks, the void is increasingly filled by television, which has redefined what you can expect of the long-narrative drama series to the extent that Scorsese himself praised it as a new opportunity for storytelling, one that is very different from television of the past. As Hollywoods interest in one mode of storytelling has waned, the TV drama has grown in ambition to the extent that it has arguably surpassed the majority of American cinema and remains the only area keen to stake large amounts of money on serious drama
