Wild Grass: Three Portraits of Change in Modern China lgbtq+ no one knows or cares

no one knows or cares about the Woman in the Yellow Cardigan

America's greatest historian of 19th and 20th century thinkers and their thoughts

著名电影学者戴锦华和王炎围绕电影议题所做的七次深度对谈。通过鲜活犀利的思想碰撞与文字交锋，他们将个体记忆与银幕现实置于20世纪这一动荡多变的历史长流中，向读者揭示出作为一种特殊叙述语言的电影在“书写历史”与“呈现记忆”的过程中带来的谜题、反思、挑战以及寄望。我们将看到，对历史的叙述也是对未来的勾勒，是打开未来想象的钥匙；最终，电影同我们一起不断返归未来。

In The Proof

祭祀者總能從林林總總的設計和款式中找到最切合逝者的祭品——每件紙紮品都代表著跨越陰陽的親密牽絆。紙紮世界也是香港的縮影，反映了這個城市的嚮往、執迷和信念。紙紮一件燒、一件現，化作煙縷穿越人間與冥界，在另一個國度建構一個更豐富多彩的香港。

Wild Grass: Three Portraits of Change in Modern China lgbtq+ no one knows or caresIn Wild Grass, Pulitzer Prizewinning journalist Ian Johnson tells the stories of three ordinary Chinese citizens moved to extraordinary acts of courage: a peasant legal clerk who filed a class action suit on behalf of overtaxed farmers, a young architect who defended the rights of dispossessed homeowners, and a bereaved woman who tried to find out why her elderly mother had been beaten to death in police custody. Representing the first cracks in the